Date: 8/15/06
Title: "The Defiled"
Author: Jack Vandagriff
Submitted by:
Submitted to: HSCL
Format: SP
Pages: 115
Draft:
Time: 1860 & 1880
Locale: Oklahoma Plains
Genre: Action/suspense
Analyst: Hollywoodscript.com
Premise: On the Oklahoma plains of 1860, one family farms the land
and ekes out
a living, while the other family rapes, murders and takes from the
living, and
when they meet, death harvests from them both.
QUICK COMMENT: Solid and suspenseful. Think "Deliverance" in
the old West.
Concept very good
Characterization excellent
Dialogue excellent
Story Line very good
Setting/Prod. Values very good
Freshness of Story very good
SYNOPSIS:
In 1860, an iron-fisted old buffalo hunter sits on the opposite side
of the campfire from his nine sons, ages six to eighteen. He gorges
himself with
buffalo meat, and then nods his approval for the hungry boys to eat.
One of the sons, Clive, rushes to the cooking buffalo carcass only
to be met by
his father's knife, slashing him from the nose to the left ear. Bleeding
and
writhing in pain Clive pleads with his father, "Why did you
cut me, Pa?! It was
my kill. I should eat first"! The father explains, "We
ain't got much and we
ain't much of a family, but we will have order! The eldest eats first"!
The next day as the father and his boys watch a farmer and his family,
from
the cover of some trees, the father explains to the boys why he is
so hard
on them. "In a few years the buffalo will be gone, so we'll
have to live off
of the land and anyone on it. You are gonna learn how to take"!
The father then
orders Daniel, one of the sons, "Kill the baby by the door"!
When
Daniel hesitates, the rifle is ripped from his hands and given to
Clive, who quickly shoots and kills the baby and the farmer in rapid
succession. Once at the farmhouse, the father, disappointed in Daniel's
weakness, tells him, "I need you to prove that you're a real
man. Don't just sit on your horse like a festering saddle sore, get
down and prove your manhood. Take the woman where she sits"!
The father has now laid
the groundwork for their survival, so this band of illiterate brothers
goes on a rampage through the land and the people for twenty years
before coming across the Kelly farm.
An immigrant Irish couple, John and Addy Kelly, carved out a small
farm and
raised a daughter, Kathleen. Kathleen's handsome Indian husband,
a
three-year old son and devoted Cherokee grandfather made this family
complete. On a beautiful moonlit night with the whiskey flowing,
John and
Yo-Na, the two drunken grandfathers, playfully argue whether the
grandson should
be called by his Christian name, or by his Cherokee name. When
the
family-get-together breaks up, Kathleen and her husband, O-Sta-Yo-Na,
walk to
their tepee, not far from the cabin, while Yo-Na rides to the reservation.
The
grandson stays with John and Addy for the night.
In the tepee, with the moon shining through the center hole, Kathleen
and
O-Sta-Yo-Na profess their deep affection and then make love. Suddenly,
three
burly intruders burst into the tepee and attack O-Sta-Yo-Na with
their long
knives, killing him. As Kathleen wails her loss, the men drop their
pants in
anticipation of what is about to happen. The next morning, Yo-Na
discovers
Kathleen and his son brutally butchered. He removes a knife from
his son's
chest, and cries toward the heavens, "Hear me my ancestors,
this blade that
killed the wife of my son, and my only son, and was left buried
deep within his
chest, is not finished! Its final resting place will be in the
chest and heart
of its owner"!
John and Yo-Na bury their children on a knoll overlooking the farm
before
riding into town, heavily armed. When the Sheriff tells them, "The
boys that
killed your children are a mean, smelly lot and you best exercise
the utmost
caution", John and Yo-Na realize, they are on their own.
They ride hell-bent across Oklahoma to the Arkansas River where,
after some
close calls, move in on their prey. As the morning sun rises over
a
campsite, John and Yo-Na lay behind bushes not thirty meters away.
John is
scared, and when one of the men walks toward them to relieve himself,
John
bursts from cover firing his rifle. The man is hit in the groin
and killed
instantly. Clive, now grown, scrambles for his rifle and BLAM!
Yo-Na cuts
him down. He falls, to the ground, paralyzed. As Yo-Na and John
move in on the
other brother, he touches his empty sheath. Yo-Na holds the knife
that was left
in his son, and asks the question. "Your sheath is empty,
my hand is full. Tell
me, what journey did your knife take to reach my hand"? The
man tries to flee
but only takes a couple of steps before Yo-Na hurls the knife into
his throat,
killing him.
John moves to kill Clive, but Yo-Na stops him, he has a better
way. He takes
bacon and smears it over Clive's body, leaving the slab resting
on his back.
Yo-Na tells Clive, "As you felt nothing when you killed our
children, the
coyotes and ants will feel the same". John and Yo-Na ride
away with Clive's
screams ringing in their ears.
Meanwhile, Addy, alone on the farm with her grandson, anxiously
awaits John and
Yo-Na's return. When she sees a rider beside the tepee, she thinks
it is John.
It isn't, it is Daniel and he is there for only one reason. Sensing
that Daniel
is no good, Addy sends her grandson into the cabin. Daniel quickly
makes his
intentions clear. "You're older than I prefer, but on the
trail, you take what
you find".
After Daniel viciously rapes Addy in her own bed, he vows, before
he leaves, to
return and share her with his brothers. That night, when John and
Yo-Na return,
Addy is in a state of shock, she has changed. She refuses to sleep
in their bed
and seems distant. When Addy falls into a whiskey induced neuroses,
and no
longer trusts John or Yo-Na, a doctor is brought to the cabin.
In the meantime, two more of the brothers, riding in a wagon through
town,
arouse the suspicions of the Sheriff, and he follows them to the
knoll above the
Kelly cabin. He has just begun to question them when, BLAM! A hole
is blown
through the tailgate, killing the Sheriff. Behind the tailgate
is the paralyzed
Clive, rescued from the coyotes, lying in the back of the wagon
with a smoking
gun in his hand. Clive sends his brothers, Lem and David, to the
cabin where
they kill the doctor, and then set up an ambush for John and Yo-Na.
While this is happening, Addy, her all consuming fear driven by
flashbacks
of her rape, flees with her grandson into the forest, narrowly
avoiding
Clive's brothers. Watching from the cover of the trees, her heart
stops when she
sees John and Yo-Na ride into view as Clive, Lem and David ready
their rifles.
Looking through his rifle sights Clive tells his brothers, "I'm
fixin' to
take the Indian's horse right out from under him, and make him
a one legged
Indian to boot"! David replies, "They're easier to catch
when they only got one
leg, ain't that right, Clive"? BLAM! Clive shoots and Yo-Na's
horse rears up,
throwing him into the river. John, in his buckboard, whips his
horse toward the
cabin but it is shot and falls to the ground.
Thus begins a vicious battle that leaves many dead and a score
more than
settled. But as a now readjusted John and Addy are awakened by
Yo-Na to a
beautiful morning on the Oklahoma plains, life and beautiful mornings
won't last
for long...as still more brothers make their way through town and
head in an ominous direction.
COMMENTS: This is a very and inspired solid piece
of work. A story filled with unsuspected twists and turns that
just doesn't quit ,
fine characters especially the
dastardly bad guys and also a sense of soul and raison detre. It's
like a
combination of your favorite blood and guts Clint Eastwood flick
combined with a “Road to Perdition”/“Deliverance” type
of soul and sensibility. Will make a damn good film. RECOMMENDED.
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